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Consisting of the illustrated subject

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發表於 2022-10-23 05:41:45 | 顯示全部樓層 |閱讀模式
These are the ones that raise questions in the viewer and these are the ones that cause his emotion. The contrasts are achieved with findings and solutions offered by the photographic language. The displacement of values What matters in the real world image will not matter or at least not to the same extent in the photographic image. The swelling of the detail the underlining of the insignificant is the work of the creator. A movement or a shadow can turn into essential content in photography while in life they will disappear in the flow of time. The Absolute Sentence The power of a photo is based on the absolute sentence it contains. It is a mental and aesthetic proposition. A complex form and content. If this whole is inextricably linked and justified even if the photograph does not move us it will command our respect.

Areas without information In a photograph as in reality areas and events e-commerce photo editing that interest us and others that act as a scenic complement are enclosed. But while in real life our eye and our mind automatically eliminate these apparently useless supplements in photography everything is weighed with the same measures. Not one square millimeter is less important than another. Subject and content of the photograph is everything enclosed by its four sides. So even the areas without information the completely black or the completely white must participate in the photographic description and composition. Otherwise their unjustified presence condemns the whole image and weakens any information.



The allusions The power of photography cannot move at the most obvious and selfevident level but neither can it hide behind the work seeking the help of scientific or parascientific decipherment. The essence of all works of art is before our eyes. But the mystery that they hide and that gives rise to our emotion is due to the hints of the creators. Allusions that do not obey a common code of perception but a personal artistic language. Understanding this artistic language is not only the result of knowledge but also readiness and sensitivity and disposition. Honesty Photographs are the product of an implicit contract between the creator and the viewer whereby everyone recognizes and accepts both the description and its illusion. The photograph contains the lie since it owes its existence to the personal choices of the photographer. But what but also to the photographic medium itself is the honesty of his intentions and choices.

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