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發表於 2022-10-19 06:50:30 | 顯示全部樓層 |閱讀模式
本帖最後由 mostakimvip01 於 2022-10-19 11:23 編輯

However we look at the photo of loved ones countless times while the filmed scene of a family day is included in our archive. In a strange way the absolute representation of the commemorative video does not travel us in time as much as the fragmentary capture of the photograph. The integration of time in photography is not only about what is depicted. Otherwise our interest and our communication would only be ensured if what was depicted was familiar to us. The viewer's treatment of a photograph implies the stimulation of time within his own space of memories or of his future projections. Something like that described by the greatest scholar of time Marcel Proust happens when the clinking of a spoon in a teacup takes him back many many years to his childhood summers in Balbec.

The viewer of the photograph knows and this is the important thing that what e-commerce photo editing he is looking at happened existed somewhere once. This sense of lifelong rebaptism at the same point in time is also the cause of the fear that photography evokes in many people and not only primitives. The photograph is once and for all said CartierBresson. The awareness of this quality also affects the process of photography. The click is not a random movement but a peak manifestation of will decision intervention distortion. Motordrive has never produced better photographs since photography does not rely on the flow of moments but on their release from the flow. The photograph does not speak of movement but of stillness.



Time is expressed magically and menacingly outside of its continuous flow. The fact that for many photographers the postshoot modification of the frame cropping is an action to be avoided has nothing to do with metaphysical truths but with the awareness that even composition and form is subject to time. The photographer of course neither has to nor is it even advisable to think about time when taking pictures. It is enough to be aware of the photographic process to be in time. Forgetting time will approach it. But in my own photographic work time was present in my mind before I even picked up the camera. Except that his presence tormented and fascinated me in the most everyday and human whatsoever. It had nothing to do with the time of photography but with the time of life.


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